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Lynch's vision is so rich and strange that, when he's on his game, the results are like nothing you've ever seen before. I almost chose his 1986 masterpiece Blue Velvet instead of this, but upon reflection I decided to go with his very first feature, because it's such a completely original work. Shot on the cheap over the course of four years, it tells the story of a young man (Nance) who gets married, looks on as his wife gives birth to then abandons a bizarre baby, and becomes obsessed with a woman who lives inside his radiator (yes, really). Many of Lynch's typical obsessions- the 50s, body parts, musical numbers- are present here, but what sets this film apart from his other work is how he's less beholden to a specific inspiration (such as small-town life or Hollywood), making the film that much harder to pin down, or to forget.
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